Christophe Didillon - interview with the “Samurai of the Brandenburger gate”

Christophe Joachim Paul Didillon (35) (openPR) - (Berlin, February 2007) on the occasion of the award of of the golden one camera on 1 February 2007 Christophe Didillon (35) with a Samuraischwert before the belly under the Brandenburger gate in Berlin had sat down, in order to protest against the creeping displacement of the meaning from the social life. There it was finally overwhelmed by the special employment command (sec.) the citizen of Berlin police and brought in the hospital. During its hospital stay in the Charité Berlin Ute Gröschl, woman employee of the golden camera visited, the 35-jährigen painter. In the name of the meeting team of the golden camera the woman employee inquired personally about his condition and aligned him her cordial recovery desires. In the process of the discussion it interviewte Didillon to the motives of its act:

Question (F): Mr. Didillon, on 1 February 2007 you sat down with a Samuraischwert under the Brandenburger gate. Did they intend really to take itself the life

Answer (A): I was decided and ready, however a reorientation began in me, while I collected my thoughts with the sword before the belly whether I really do it now or not. Suddenly I got an intuitive intuition and knew that my life would not go in such a way to end, and I still much intend…

F: Isolated media reported, them due to their unfortunate love for Kirsten vapor from the life to separate would have wanted.

A: Stop! Stop!! It is correct the fact that I admire Kirsten vapor much but with their had this nothing at all to do.

F: You had one in the past year for it „nevertheless mill OF Fleming “, a migration from San Francisco to Los Angeles made.

A: Yes, and I admit also plainly that I rather disappoints over it was, from it to have never experienced whether you pleased my picture gift even manufactured at all, which I the 300 miles on my back carried. Nevertheless: I do not even know whether their management informed her at all about it. Possibly she does not know nothing at all of it. And even if I am rather unfortunate over it, I would like to prepare no grief nevertheless for it. But does not have I mean mill OF Fleming finally made. Kirsten did not have to do nothing at all purely with my project at the Brandenburger gate. My project had nevertheless completely different background. These I had stated spread explanation in detail also in the context of one of me to the press.

F: „Which value has those became humans “- With this question you wanted to appeal to humans to take more consideration one on the other

A: Correctly. My judgement today increasingly the interests of the human right and were aside pushed in favor of of commercial indifference and monetary Rücksichtslosigkeit, in addition, by an increasing ice cold weather in the interhuman range. Many humans will fall thereby not finished and secretly by the rasters. Die, because they no more cannot also still be ashamed and for it. The problem costs thus human lives - and surely far more, than one dares to believe. One does not talk also openly about this problem. That in this connection somewhat enormously „goes wrong here and today, showed “me not least my experience at the Brandenburger gate. I sat there in all soul peace with the sword before my belly, and everyone passed me, as if that would be the most normal thing of the world. It took nearly a half hour, until at all someone addressed me, and that was only a guard, who discovered me on its Rundgang. Some before still photos with their Handykamera had made, a little had talked nonsense, however had then simply continued. I was nearly grateful, when finally the police became attentive to me.

F: If you had died, your death would possibly have overshadowed the award of the golden camera. What has you induced to select calculated the golden camera to the cause for your act

A: Clearly, it would have done wrong to me, if my death had sabotaged the ceremonies for the award of the golden camera, but I had to weigh and decided for this date, because he offered simply the optimal opportunity to appeal in order to produce public and thus to a far range from humans to. Therefore I had traveled also particularly to Berlin. Like that I could take the photo before two and a half years of the deceased actress Jennifer Nitsch and say, „to Hey of people, depressions with consequence of a self selbsttötung am a general social problem, which pulls through and under no circumstances longer be hushed up may all layers. Even filming acre are not even excluded from it! Thus the others intend at Jenny, which is now no more among you, and do not forget which are not located in the footlights and like a star are admired! “It was from the outset clear me that I could change thereby not the world, but I hope nevertheless that I had been able to reach at least or the other one with my reminder to think once about it: „Which value has those became humans “

F: In your press statement you had expressed that the trauma of your first youth love had very much added to you, and you the mourning in your heart never could diminish. Could you introduce yourselves to repeat your action at the Brandenburger gate in one similarly trauma tables pressure situation again

A: No, certainly not. With my action I could win perfectly new opinions regarding my life. My old life is, I once and for all past became newborn. It appears to me momentarily in such a way, as if I learn myself to know completely again or discover. I want to live in each case and find, with their a late family create a dear Partnerin. In addition I want to make whole contribution for in the context of my possibilities mine making humans luckier so that the future can become again more multicolored once sometime. Me as a painter, who the multicolored play of the colors loves in such a way, it may fall perhaps more easily; nothing the despite this task for everyone of us places itself.

F: Mr. Didillon, how your goals for the future look

A: After my stationary therapy in a Reha hospital I would like to travel for some weeks to Scandinavia, probably to Norway. I can ulterior motives be led by that to emigrate to Scandinavia because the mentality of humans pleases me there so well: „Lives and to live leave “- that is finally also my foreign exchange…

F: Mr. Didillon, I thanks you for this wonderful discussion and wishes you with the organization of your future of everything erdenklich property and much success.

A: Also I would like to wish you all property. Thank you for your cordial attendance. It did to me very well to speak with you.

END of the interview

Further information about Christophe Didillon, its life and his work is under www.christophe-didillon.de and the well-known search machines in the Internet.

Press contact:
DIDILLON KIND
Christophe Didillon
Ash way 1
D-26506 the north/Germany
Telephone +49 49 31/120 22
Fax +49 49 31/120 22
email: didillon-art@web.de
www.didillon.eu

Christophe Joachim Paul Didillon (born 1971 in Aurich); Its heart broken in in former times youth time coined/shaped sensitive humans, who wanted to become never „as the adults “, lastingly and deeply. After Abitur and training as the industrial trader studied Didillon from 1997 to 2004 Sinologie, jurisprudence and history at the Philipps university Marburg and the Tongji University Shanghai. It terminated its study successfully with the conclusion of a Magister Artium. Parallel for this Didillon had study and mark stays in China and undertook a photo journey with the Trans-Siberian railway. During its one year's stay in China he found his appointment as a free lance educating artist (painting and Acrylcollagen), and to 2004 to the group of artists of PARADOXES was finally taken up, had exhibitions in the hessian federal state parliament, in Chinese museums as well as in the Internet gallery of the Foreign Office. Didillon made among other things acryl paintings for Kronprinzessin Viktoria of Sweden and Michael Gorbachev and dedicated to the actress Kirsten vapor to its MILLS OF FLEMING from San Francisco to Hollywood, a migration of over 300 miles. Up to the spring 2007 and works the artist lives as a scholarship holder in the mansion Flath in bath Segeberg and makes under the slogan „on the search for the sea virgin “photos and paintings. For this he co-operates with female Models, which to him their long hair places to combing with water and gel to the order, in order to obtain Nasslook effects. Its extensive collections of several hundred historical fire extinguishers as well as several thousand vehicle characteristics from all world, which Didillon developed since its early childhood, are to visit in the fire-brigade museum Zeven (in close proximity to Bremen) as well as in the old timer and toy museum Ostermarsch (close of its hometown the north).
Further information about Christophe Didillon, its life and his work is under www.christophe-didillon.de and the well-known search machines in the Internet.

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